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25 Papua documentaries ready to compete in Papua Film Festival

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Illustration of 25 Papua doco to compete in 2017 Papua Film Festival – FFP

Jayapura, Jubi – The first Papua Film Festival (FFP) held by Papuan Voices, a Papua filmmaker community, captured 25 documentaries from Papua ready to compete in the competition.

“There are 27 documentary came from various regions in Papua such as Jayapura City, Jayapura Regency, Merauke, Keerom, Biak, Wamena, Sorong, Raja Ampat, Nabire and Mimika, but only 25 qualified to enter the judging stage,” Said Max Binur, Coordinator of Papuan Voices in Monday (July 24).

According to the organizing committee, the stories presented are quite diverse from themes of health, education, economy, politics and security, women, culture, nature, even history.

Here are the titles of films that pass the competition selection based by city.

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From Jayapura City represented by Salon Papua; SaPu Cerita (My Story); Untuk Novalinda dan Andrias (For Novalinda and Andrias); Tete Manam (Granpa Manam); and Anak Papua Belajar (Papuan Children Learning).

From Jayapura Regency represented by two films, Danauku Hidupku, Budayaku Hidupku (My lake, my life, my culture my life) and Sang Pendamping (The Companion).

Raja Ampat Regency is represented by Hidup di Hutan Mobak (Life in Mobak Forest) and SASI Konservasi Raja Ampat (SASI, Raja Ampat Conservation).

From the Regency of Mimika represented by two films: Kerasnya Hidup di Surga Kecil (Hard Life in Small Heaven) and Mama Amamapare.

Nabire is represented by one film, Pencurian Sumber Daya Alam dan pelanggaran HAM Papua (Theft of Natural Resources and Human Rights Violations in Papua (Focus of Palm Oil)). Also one film from Keerom Regency Truk Monce (Monce Truck).

Merauke represented by Sota-Etalase NKRI Ujung Timur (Sota, Indonesian showcase in eastern side) ; Selamatkan Wati (Save Wati) and Biarkan Siri Pinang tetan di tanah (Keep Siri-Pinang on the Ground).

From Sorong represented bt Kokoda; Biak through Numfor Island movie and Perjuangan Tanpa Batas (Unlimited Struggle); and Korowai represented by Sekolah Tepi Sungai (School of the Rivers).

Wamena is represented by Maximum Impact; Aku adalah Bapa dan Mama (I am the Father and Mother); Melawan Stigma (Against Stigm)a; Sa butuh kop u cinta (I need your love); and Nagosa (Mother).

The announcement of the ten best films will be conducted on July 30, 2017 after passing the selection by 4 judges: Alia Damaihati, Maria Kaize, Wens Fatubun and Yerri Borang.

The announcement of three best films will be made at the opening of FFP August 7. The winners will be announced at the closing of FFP on 9 August.

The festival will be held at Vertente Sai, Merauke archdiocese complex, Jalan Raya Mandala Kota Merauke 7-9 August 2017.

“The three-day festival will show not only the films in competition but also documentaries of Papuan Voices 1 and 2 produced in 2011-2013, as well as inspirational films from PNG, the Netherlands, UK, Jakarta, Bali, Yogyakarta, Makasar and East Nusa Tenggara. So do not miss for those of you in or around Merauke, ” said Elisabet Asrida, coordinator of FFP event program.

The Papua Film Festival aims to introduce Papua through documentary films to the wider community both in Papua, National and International, in the hope of emerging new perspectives that place Papua as a subject in viewing and determining its own future, as well as contributing to ending injustice in the land of Papua.

The theme taken in the 2017 Papua Film Festival is Bomi Zai Anim-Ha: Common Home of True-Human who nurtures the identity and collective memory of Indigenous Papuans. (*)

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Arts & Culture

International award for film about journalism in West Papua

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16th Pacific Documentary Film Festival in French Polynesia. Photo: FIFO website

Papua, Jubi – A short documentary which highlights the risks of being a journalist in Indonesian-ruled Papua region, or West Papua, has won an international film award.

Aprila, directed by Rohan Radheya, took out the best short film award at the 16th Pacific Fifo Documentary Film Festival in French Polynesia.

The Dutch journalist and film-maker’s documentary tells the story of a young local journalist who stopped doing her job after receiving death threats.

According to Fifo’s website, audience members in Tahiti expressed interest in the insight the film offered into a region and freedom struggle largely unknown to the world.

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Mr Radheya said while international attention on Papua often focused on restrictions that Jakarta placed on access for foreign journalists, the plight of local journalists was ignored.

“What we endure as foreign journalists is nothing compared to what local indigenous journalists in Papua are facing,” he said. (*)

 

Source: RNZ

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Archaeological research to reveal cultural history in Papua and West Papua

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Megalithic Tutari site – Jubi

Jayapura, Jubi – There is not much archaeological research have done in the provinces of Papua and West Papua. Therefore, the Archeological Centre of Papua Province has deployed researchers to conduct archaeological research that took place in several areas in both provinces.

The areas of research are the Berau Bay of Fak-fak Regency, Fort du Bus of Kaimana Regency, Yahoto prehistoric cave, Beanenbala Naguhi 1 Cave, Beanembala Naguhi 2 Cave of Keerom Regency and Srobu Mountain site of Jayapura Municipality. The research also traced the Austronesian speakers in Nabire Regency, the early prehistoric residential trails in Sentani Lake as well as explored the cultural footprint of Austronesian speakers in Raja Ampat Regency.

The researchers then presented their findings on 11-12 December 2018 in a hotel located in Jayapura City.

In his presentation,a researcher Klementin Fairyo who led the expedition to the prehistoric cave sites in Keerom Regency explained that the purpose of his research is to discover the function of the cave based on the cultural findings as well as to know the cultural characteristic of people living in the border of Indonesia and Papua New Guinea.

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“There are a lot of caves found in the border area of Papua and Papua New Guinea, and this needs further investigation,” he said on Wednesday (12/12/2018) in Jayapura.

Meanwhile, Hari Suroto who led an identification of early prehistoric settlement in Sentani Lake area said the lake has produced many sources of food and become a source of clean water for people living nearby.

In the meantime, the Head of the Papua Archeology Centre Drs. Gusti Made Sudamika made an analogy that Papua is like a virgin who has not been touched by humans. Therefore, the archaeologists in Papua should conduct further research in this region.

“And the priority of research would not only cover the coastal areas but the mountainous areas as well, precisely the Baliem Valley, Wamena,” he said.(*)

Reporter: David Sobolim

Editor: Pipit Maizier

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Expo – Waena Museum and Arts Centre, the forgotten asset

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Expo-Waena Arts Centre – Jubi / google.com

Artists and cultural observers of Papua encourage the revitalisation of Expo-Waena Museum and Arts Centre.

the museum and arts centre where located in the city border –the border between Jayapura Municipality and Jayapura Regency—is supposed to be able to accommodate all activities related to arts and cultural performances, such as traditional music concerts, culturally related discussions, painting and other art exhibitions, literary and journalism activities, et cetera.

Titus Krist Pekei, the initiator of noken recognition to UNESCO, told Jubi on Wednesday, 7 November 2018, that Papua Provincial Government should pay serious attention to this museum.

According to him, if the museum is well-managed, it would become the arts and cultural centre of Papua Province. Further, It should accommodate all culturally related activities, ideas and creative works of Papuan tribes. “It would become an entrance for people to get to know Papua,” he said.

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He further asked the Cultural Office of Papua Province to have a partnership with all parties to revive the activities and art performance in this art centre and museum. “Don’t think it only belongs to civil servants, but everyone who has talent,” said Pekei who’s also the Director of Papua’s Ecology.

He took the Noken museum which built several years ago as an example. “The Ministry of Cultural and Education handed over the management of Noken Museum to Papua Government, and the government then assigned it to the Noken Papua Foundation. However, it’s not clear for the Expo-Waena Museum,” said Pekei.

Expo-Waena Museum and Arts Centre was established in the 1980s and the late 1990 and used as a location for development exhibitions in Papua in the 1980s and late 1990s. In 2013, the building was planned to be restored and became the office of Papua People’s Assembly.

The museum has nine main buildings including pavilions for displaying the cultural artefacts of Jayapura, Manokwari, Biak, Jayawijaya, Merauke, Nabire, Serui, Sorong, dan Fakfak. It holds more than three thousand collections of ten types of cultural artefacts, historical and ethnographical objects and other art collections.

Sometimes ago a film community Papuan Voice held a discussion and film screening at Expo – Waena Museum and Art Centre. However, now the museum neglects. Some local artists think it should not happen due to its contribution to the local artists to express their creativity. This place should be well-maintained.
“If talking about art and culture, local artists could not be separated with this place,” said the Secretary of Papuan Arts Council Septinus Rumasep to Jubi in an occasion.

Meanwhile, the Papuan parliament member John N. R. Gobay said the museum and art centre is a crucial asset that has forgotten. This art centre has not occupied since 1996.

“It’s an asset of Papua Provincial Cultural Office. It reflects the Papuan culture and identity. We cannot talk about a nation whose cultural identity is destroyed,” said Gobay who was a former Chairman of Paniai Customary Council.

Moreover, he said the Expo-Waena Art Centre must have art shops that selling traditional souvenirs, cafes, and a library that provides books about Papua. Thus, this will become a cultural centre of Papua. Therefore, he asked the Papua Provincial Government to revitalise it.

“The government should relocate people living near the museum. The government is responsible for protecting the local culture through this art centre. Therefore the regulation No. 8 could be implemented,” he said.

He also appealed the artists to establish an advocacy team and plan a meeting with the governor and parliament member for the revitalization of museum and art centre. “I asked the provincial government to support this by clearing the complex of museum and art centre in Jayapura City,” he said.

Meanwhile, a Papuan artist Semi Simson said the Papua Provincial Government do not pay attention to this museum since long time ago. They must revive this complex as Papuan cultural centre. (*)

Reporter: Hengky Yeimo
Editor: Pipit Maizier

 

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